The Leftovers 1.03: Two Boats and a Helicopter
Damon Lindelof and Jacqueline Hoyt
Keith Gordon
Of
all the characters introduced thus far on The
Leftovers, Reverend Jamison was probably the least explored. For that reason alone, this was a
much-anticipated episode, but the fact that the Reverend is played by
Christopher Eccleston takes that anticipation to another level. In a lot of ways, this has the potential to
be the “Walkabout” installment of The
Leftovers, similar to how that episode gave Lost its early-series storytelling boost.
The
episode is basically an exploration of Jamison’s motivations, from his desire
to expose those who did terrible things but gained the “reward” of becoming one
of the Departed, and thus hailed (for some reason) as a “hero”. Like much of the show’s narrative thus far,
it’s not entirely straightforward.
Jamison sees the world in black and white, and so individuals are either
meant to be rewarded or punished.
Thus
it is fascinating to watch Jamison, who has openly judged so many for their
faults and unseen crimes, find himself committing many of the same acts in the
name of saving his church. Nor is the
irony lost as every act of Christian charity effectively becomes an obstacle,
either forcing another infraction to course-correct, or ultimately killing his
chances at the end of the struggle.
What will be interesting to see is how this changes Jamison’s course. Given his worldview, will he see this as another kick to the crotch, or will this be another hint that he needs to stop judging others and look to his own path? The metaphysical elements of the episode (largely a matter of perspective, rather than an actual depiction of the supernatural) suggest that Jamison would do well to take that money and put it to better use, given how he has abused his position in his church with his “paper”.
It’s
also somewhat interesting that Jamison’s church was bought by the Guilty
Remnant. Actual meaning of the group’s
name aside, it ties directly into the irony of Jamison’s terrible no-good
day(s). In a sense, the “guilty”
prospered, while the man trying to do the right thing (for one of the “guilty”,
no less) was left empty-handed. It also
says a great deal about how little the Guilty Remnant cares for anyone else;
from their point of view, those trying to maintain the old way of life are
deluding themselves. Those of an atheist
point of view might find it amusing that one “cult” was effectively undercut
and replaced by another.
So
far I’m enjoying The Leftovers, but I
can see why a lot of people are still on the fence (or even giving it a
pass). It is treading a fine line
between semi-literary and pretentious, much like a highly anticipated
independent film rendered into a television series. The fact that this is probably the “lightest”
episode yet, and is still soaked in a certain brand of nihilism, keeps this a
show for a very select audience. And
shows like that tend to end sooner rather than later.
- The best episode of the series yet
- Christopher Eccleston gives a strong performance
- Still borders on the highly pretentious