Game of Thrones 7.07: The Dragon and the Wolf
David Benioff and D. B. Weiss
Jeremy Podeswa
One of the unusual aspects of the current state
of Game of Thrones is that it is, in
many cases, damn predictable. Part of
that is simply the result of a massive saga with tons of foreshadowing coming
to fruition. But another part is that
the final two seasons have become a bit of a Cliff Notes version of the story,
delivering the major beats of where the resolutions needed to go with some of
the connective tissue tossed aside in favor of driving to the finish. The irony is that the series used to be
criticized for being too slow and ponderous, and now the audience is largely
noting the lack of something vital.
Still, there is a satisfaction in seeing the pieces fall into place,
even when much of it has been long awaited and predicted.
The Lannisters: One big theme of this
episode is family, with the three major houses still left in the
spotlight. By far, the Lannisters are in
the worst state possible. I’m still not
convinced that Cersei is pregnant, though I suspect at this point that she
desperately believes (or wants to believe) that she is. For all that she says she is willing to do
anything to protect the future for her unborn child, the fact that she is
willing to threaten Jamie in the name of retaining power, in the face of all
the logic he throws at her, exposes the true depth of her madness.
It was a bit surprising to see Cersei and
Tyrion have a conversation that left both of them alive. It’s even more surprising that the rift
between Cersei and Jamie hit so “early”.
I was convinced that Jamie would back Cersei right to the end, before
engaging in murder/suicide. Maybe that
will still happen, but for now, Jamie seems intent on keeping his promise to
fight the true threat to Westeros. It’s
rather hard to tell, of course, when Jamie’s apparent redemption arc has seen
so many false starts.
The Starks: I don’t have a
problem with the notion that Littlefinger was too arrogant to see that he was
being played by Sansa and Arya. I
essentially saw that coming anyway, considering that nearly every single
conversation between the sisters and/or Littlefinger presented a strong case
for why Sansa should rid herself of him.
And on a certain level, the writers actually pointed that out, which
should have been the beginning of the reveal that he designed his own demise.
But I wasn’t expecting his downfall to come in
a big public showdown, or without a payoff to the hints of Arya’s abilities
being part of the equation. It turns out
that Sansa and Arya have been playing him all along, preparing him for this
public shaming and execution. But the
writers gloss over how that all went down, and as a result, it doesn’t quite
add up. It would have made more sense if
it was something done quietly, the confrontation handled secretly between
sisters and victim. The public spectacle
works to cement Sansa as Lady of Winterfell, but that’s about it.
The Targaryens: As anticipated, the
finale revealed that Jon Snow is really Aegon Targaryen, which is the worst
kept secret in the history of Westeros from the audience’s point of view. It seems a bit ludicrous that Bran would keep
his knowledge of Jon’s true parentage to himself all this time, given how that
could have drastically reduced the issues between Jon and Daenerys throughout
the season. Equally ludicrous is the
notion that Bran wouldn’t look more carefully at the relationship between
Rhaegar and Lyanna until Sam said something about it.
But it seems designed to intersect with the
moment that Jon and Dany become lovers, as if this is something taboo or
worrisome. Regardless of the audience’s cringing
over the notion of incest, this is not the same as the Lannister
situation. The Targaryens have always
intermarried throughout their dynasty, and if anything, this is a more
reasonable mixing of bloodlines than would normally have been the case in the
past. Add to that the quick dismissal of
Dany’s barren status, and suddenly all that talk between Tyrion and Dany about
lines of succession is revealed for the false drama that it was, intended only
to remind the audience of what might be at stake.
The Greyjoys: Perhaps the biggest
surprise of the finale was the attention given to Theon. His sudden growth of a backbone, however
welcome, is far from elegant. It was
clear that his story wasn’t quite over, and having his lack of genitals turn
out to be a hilariously important plot point was a nice touch, but it was
exceedingly abrupt. This is one of those
plot threads that would have benefitted tremendously from a lot more time
available for character development.
The Army of the Dead: As one might have anticipated, The Night King used a revived Viserion to decimate Eastwatch and take down that section of the Wall. It’s unclear whether or not Tormund or Boric survived the onslaught, which would seem like a bit of a cheat, but any death that takes place off-screen is suspect. As it is, I still have to wonder: if the Night King had not managed to take Viserion in the first place, how was he intending to get past the Wall? Regardless, the army of the dead has a nice big hole to walk right into the North through, and that sets the stage for massive battles in the final six episodes!
- It’s about damn time the Starks made their move for true independence
- Jon’s ancestry is finally revealed in full, meaning we can move on from that point!
- Way too many plot threads propel forward on shaky premises, all because time is running out