Being Human 4.12: House Hunting
Lisa Randolph
Jeff Renfroe
I suppose if the end of the series is
thematically tied to leaving the house, it makes sense for an semi-avatar of
the house itself to be the “final boss”.
In many ways, that’s exactly what this felt like; one of those really
odd boss battles at the end of a Japanese RPG.
Not necessarily a bad thing, since the seeds were planted in the season
premiere, but it did seem a slightly odd choice.
If the previous episode was all about Josh
getting to a good place (finally), then this episode was about testing those
waters. Not just in terms of Josh, of
course, but in terms of Nora and her trust in Josh’s new sense of
stability. It was also a huge step
forward for Sally, who turned out to be the first one able to see things for
what they were. It culminates, as one
would expect, with Aidan at a crossroads.
Will he give in to his darkest impulses and kill Josh, or will Sally be
able to stop him?
Along the way we get one of the more
time-honored tropes of the genre: one’s inner struggle personified in some kind
of altered state of perception. Each
character faces someone from their past, a vision fueled by Ramona, who is a
demonically-charged personification of the house. And one can understand, to a point, her rage;
Beatrice’s story about Ramona is creepy, to say the least. But aside from a nicely half-naked Kat, there
weren’t too many surprises with the visitations. It’s always nice to see Emily, though, even
if she’s awfully brutal as depicted!
As nice as the idea of a Sally/Aidan
relationship might be, at this point, the writers have had them enumerate all
of the reasons why it wouldn’t work. It’s
just another moment of emotional torture in the episode, because it is part of
what drives Aidan down the road of murderous despair. One would think that of all shows, Being Human would have some way around
it, but they have already established some fairly hard rules and they are
apparently sticking with them.
On the other hand, one could interpret this
latest set of revelations as somewhat affirming, in the sense that the deck has
been stacked against the housemates since the very beginning. We just didn’t realize how bad the baseline
situation was until now. How much has
Ramona been fostering in the house, in terms of upping the body count? I doubt the writers will come right out and
explore it, but it is a consequence that ties the entire series together in a
neat little package.
Whatever the case, there’s a lot left to handle in the final episode, but we can all rest somewhat easy in the knowledge that the writers went into the fourth season with more than enough warning to drive towards an actual finale. The past several episodes are more than enough evidence of that. Now it’s just a matter of sticking the landing.
- A great way to tie the series together
- The characters come closer to closure
- The writers are ending this on their own terms
- The episode relies on a slightly tired trope